The images are testimony to his father and of the memory of him, during the process of forgetting. Rather than following a linear narrative, the project is made of  interchangeable ‘chapters’: vernacular pictures from Duncan's childhood and adulthood, photographs of some of his objects collected by the photographer coincide with these images of his life. The act of doing this creates a story of a life, from the birth of Daniel's father, through to his death. 

What Remains. Found/Bedroom 15/4/14

Gun Shot, 16mm film still. 1965 Loveday Archive

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